Genius jamtracks vs ireal pro8/24/2023 Now, if we interpolate the related ii before the V7, we get Fmaj7 – G7 – Gm7 – C7 – Fmaj7. This gives us a standard and effective progression: I – V7/V – V7 – I. This tonicizes the V7 chord, which then resolves to the I chord, which is Fmaj7. The C7 chord is the V7, and we can target it with its V chord, which is G7. Let’s take the example of the key of F major. In fact, the V7/V is a great chord to use when targeting a 2-5 progression, which is just a V chord that’s been embellished with an interpolated ii chord. This little trick adds a unique flavor to the progression and sheds light on Jobim’s treatment of dominant chords.Īt first glance, the G7 in measure 3 might seem like a V7/V chord. However, Jobim turns the #11 into a b5, making it a chord tone, and eliminating the natural 5 altogether. Here’s where it gets even more interesting: normally, the subV7 is paired with the lydianb7 scale, creating a 7#11 chord. But instead of using the V7 (C7), Jobim gets creative and replaces it with the subV7 (Gb7b5), giving us a 2-sub5-1 path. If you listen closely, you’ll notice that the chord progression is a reharmonization of a typical 2-5-1 progression. Even when he does use them in the progression, he adds his own unique twist to keep things interesting. So, what makes “The Girl From Ipanema” so special? Well, let me tell you, it’s all about Jobim’s interesting use of dominant chords! Dominant chords are usually used as primary or secondary V7 chords, but Jobim switches it up by avoiding these functions most of the time. So get your ears ready and your mind open, because we’re about to reveal the brilliance of one of the greatest composers of all time. In this video, we’re going to explore the unconventional chord progressions and clever pivots that make Jobim’s composition a true masterpiece. No matter how much you think you know about jazz harmony, Jobim’s genius will continue to challenge and inspire you.Īnd stick around until the end of the video where I’ll show you how to download a pdf for today’s lesson. It’s no wonder why Jobim is known for pushing the boundaries of traditional harmony, always keeping us on our toes with unexpected but stunning chord progressions. In this video we’ll see how Jobim’s use of out-of-the-ordinary dominant chords is simply brilliant.
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